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Martyn Young of musicOMH stated that "Overgrown is more diverse and dynamic than before. At Metacritic, which assigns a rating out of 100 to reviews from mainstream critics, the album received an average score of 82, based on 40 reviews, which indicates "universal acclaim". Overgrown received widespread critical acclaim upon its release.
JAMES BLAKE OVERGROWN ZIP FILE PROFESSIONAL
Critical reception Professional ratings Aggregate scores A remix of the track "Life Round Here" featuring Chance the Rapper was released on 11 October alongside a music video directed by Nabil Elderkin. The title track was released as a single on 10 April alongside a music video directed by Nabil Elderkin. On 7 March, Blake and his labelmates at 1-800 Dinosaur shared both the dub version of "Voyeur" and the album cut of "Digital Lion" featuring Brian Eno. The first single from the album, "Retrograde", was debuted the same day on BBC Radio 1, and was released on 11 February. Promotion and release ĭuring the final weeks of 2012, Blake performed three intimate shows where he débuted five of his new songs, the five being "Our Love Comes Back", "Overgrown", " Retrograde", "To the Last" and "Every Day I Ran." īlake announced via Facebook on 7 February 2013 that his second album, Overgrown, would be released on 8 April. It was a return to form for Blake and featured the distinct characteristics present in his previous efforts (though "Confidence Boost" had been floating around on the internet for three or four years). This release featured British rapper Trim and the single "Confidence Boost/Saying" was released on 24 September 2012.
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In 2012, after months of speculation, Blake announced a new collaborative non-single release under the moniker Harmonimix. Įarlier in 2012, Blake spent time with American rapper Kanye West and singer Justin Vernon. There's no point in trying to come up with some other explanation for what I've been writing about.When it happened, I was really struck. īlake admitted to Hot Press in an interview about Overgrown that his relationship affected the album. Many reviewers speculated in the year between releases that Blake was headed in the wrong direction, with Pitchfork's Larry Fitzmaurice saying that "James Blake's reliance on piano-based singer/songwriter electro-soul perhaps played it a bit too safe, prompting comparisons to the once-outré, now-gear spinning career of fellow avant-crooner Jamie Lidell". These EPs, noticeably more structured than his previous releases, featured more R&B tinged work as opposed to the dubstep-influenced electronic sound of CMYK. Following both the critical and commercial success of Blake's self-titled debut album, Blake released both the Enough Thunder and Love What Happened Here EPs.